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Holiday
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"Spirited Away - English dub" , posted Tue 22 Oct 03:31post reply


Happy occasion: Spirited Away is showing in a cinema near me for Halloween ^^
I've seen the subbed version before, but not the dubbed one. So for those who has seen it, how good is the dub?

Ah, I hope that the Cowboy Bebop Movie will also arrive one day...






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"Re(1):Spirited Away - English dub" , posted Tue 22 Oct 04:39post reply


Sigmund Freud!

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"Re(1):Spirited Away - English dub" , posted Tue 22 Oct 16:02post reply


quote:
Happy occasion: Spirited Away is showing in a cinema near me for Halloween ^^
I've seen the subbed version before, but not the dubbed one. So for those who has seen it, how good is the dub?

Ah, I hope that the Cowboy Bebop Movie will also arrive one day...



Note that I haven't seen any fansubs -- but the English dub that Disney did is definitely enjoyable. I'm glad that I got a chance to experience it in theaters.

Although, as a side note, I should say, for those who haven't seen it at all yet -- think of it more as a wonderland experience than a story (i.e., don't expect the movie to explain a lot of things you see in it).





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"Re(2):Spirited Away - English dub" , posted Tue 22 Oct 20:48post reply


This movie was 1 of top 5 a while back in Hong KOng. It's pretty hard to understand compare to his old works. I didn't get it at all when i first saw it.

I am certain that greed and pollution are 2 of the themes in it, but i keep hearing it's so much deeper and more sophisicated.

Oh there is 1 part about how teenagers these days sit too often in front of computers typing away and fail to express themselves in real life and have to use other ppl's voices or sayings to express. I wouldn't have caught that at all in a 100 times watching that...





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"Re(3):Spirited Away - English dub" , posted Tue 22 Oct 21:17post reply


quote:
This movie was 1 of top 5 a while back in Hong KOng. It's pretty hard to understand compare to his old works. I didn't get it at all when i first saw it.

I am certain that greed and pollution are 2 of the themes in it, but i keep hearing it's so much deeper and more sophisicated.

Oh there is 1 part about how teenagers these days sit too often in front of computers typing away and fail to express themselves in real life and have to use other ppl's voices or sayings to express. I wouldn't have caught that at all in a 100 times watching that...



Well, the greed and pollution stuff is pretty obvious, but I know that a good percentage of that movie flew over my head.

However unlike other cartoons that try to be deep (*cough* Evangelion *cough*) even though I know I don't get it, it was still fun to watch and I didn't feel like I was totally missing out on the experience.

I'd be interested to know how the "sitting in front of computers" thing fits into the plot. I don't see it, but that really isn't any indication of that theory's validity.





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"Re(3):Spirited Away - English dub" , posted Tue 22 Oct 21:21post reply


quote:

Oh there is 1 part about how teenagers these days sit too often in front of computers typing away and fail to express themselves in real life and have to use other ppl's voices or sayings to express. I wouldn't have caught that at all in a 100 times watching that...



(I saw the subbed version. )
What part of the movie was that?
Where did you hear about it?





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"Re(3):Spirited Away - English dub" , posted Tue 22 Oct 23:02post reply


quote:

Oh there is 1 part about how teenagers these days sit too often in front of computers typing away and fail to express themselves in real life and have to use other ppl's voices or sayings to express.



That was like half of Vandread you described right there....





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"Re(1):Spirited Away - English dub" , posted Wed 23 Oct 02:24post reply


quote:
Happy occasion: Spirited Away is showing in a cinema near me for Halloween ^^
I've seen the subbed version before, but not the dubbed one. So for those who has seen it, how good is the dub?



I posted here a few weeks ago about the dub, in this thread: Go see Spirited Away

To summarize, dub is very good.





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"A little note on Evangelion's depth..." , posted Wed 23 Oct 13:59post reply


quote:
However unlike other cartoons that try to be deep (*cough* Evangelion *cough*)
[snip]



Be quite careful with that statement. I had a friend who took several Jewish Studies college courses, and the way she described Evangelion is that "If there's a level of depth you want to explore in that series, there's always at least one depth lower to go." Plotline developments, the names of several symbols, the number of Eva Units -- even the physical features of the Eva Units have some references to the Torah or Bible. And there's always one level deeper, according to her -- which is why she gets incredibly miffed when someone tries to pass it off as "another mecha-type series."

So, at least according to my friend, take several courses on the Torah or Bible, and you should understand a lot more of the imagery and symbolism that goes on in that series.





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"Re(1):A little note on Evangelion's depth..." , posted Wed 23 Oct 14:14post reply


quote:
However unlike other cartoons that try to be deep (*cough* Evangelion *cough*)
[snip]


Be quite careful with that statement. I had a friend who took several Jewish Studies college courses, and the way she described Evangelion is that "If there's a level of depth you want to explore in that series, there's always at least one depth lower to go." Plotline developments, the names of several symbols, the number of Eva Units -- even the physical features of the Eva Units have some references to the Torah or Bible. And there's always one level deeper, according to her -- which is why she gets incredibly miffed when someone tries to pass it off as "another mecha-type series."

So, at least according to my friend, take several courses on the Torah or Bible, and you should understand a lot more of the imagery and symbolism that goes on in that series.


agred. completely.

i swear, every little thing in Eva's got some sort of meaning. i've seen the whole series at least three times, and i've seen Death and Rebirth three times as well (haven't seen End of Eva yet -_-)

anyways, my point. every time i see it, i discover something new that i had absolutely no idea was there before. and not just something small. something that made me sit down and think for about half an hour. there is so much symbolism in it, you seriously have no idea

in Death and Rebirth, the commentary alone, was enough to blow my mind away





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"Re(2):A little note on Evangelion's depth..." , posted Wed 23 Oct 16:16post reply


quote:
However unlike other cartoons that try to be deep (*cough* Evangelion *cough*)
[snip]


Be quite careful with that statement. I had a friend who took several Jewish Studies college courses, and the way she described Evangelion is that "If there's a level of depth you want to explore in that series, there's always at least one depth lower to go." Plotline developments, the names of several symbols, the number of Eva Units -- even the physical features of the Eva Units have some references to the Torah or Bible. And there's always one level deeper, according to her -- which is why she gets incredibly miffed when someone tries to pass it off as "another mecha-type series."

So, at least according to my friend, take several courses on the Torah or Bible, and you should understand a lot more of the imagery and symbolism that goes on in that series.

agred. completely.

i swear, every little thing in Eva's got some sort of meaning. i've seen the whole series at least three times, and i've seen Death and Rebirth three times as well (haven't seen End of Eva yet -_-)

anyways, my point. every time i see it, i discover something new that i had absolutely no idea was there before. and not just something small. something that made me sit down and think for about half an hour. there is so much symbolism in it, you seriously have no idea

in Death and Rebirth, the commentary alone, was enough to blow my mind away


symbolism doesnt make a series deep. dont get me wrong though i'm not saying eva is not deep, i'm not saying it is either. if you or whoever can find depth in it, the that is what gives it depth. symbolism might show some education on part of the shows makers, but i think depth is something the viewer makes. Take this anime Berserk, not much besides violence, but to me its character development and story were deep, it gave it depth to me.





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"my take on Eva" , posted Wed 23 Oct 16:23post reply


quote:
Be quite careful with that statement. I had a friend who took several Jewish Studies college courses, and the way she described Evangelion is that "If there's a level of depth you want to explore in that series, there's always at least one depth lower to go." Plotline developments, the names of several symbols, the number of Eva Units -- even the physical features of the Eva Units have some references to the Torah or Bible. And there's always one level deeper, according to her -- which is why she gets incredibly miffed when someone tries to pass it off as "another mecha-type series."

So, at least according to my friend, take several courses on the Torah or Bible, and you should understand a lot more of the imagery and symbolism that goes on in that series.

Eva is deep, that's true. Well done, and studied. I've read a lot about it.

Does that makes the characters and story more likeable? not for me. Want teology, psychology and philosophy? enjoy it. I prefer some characters with more charisma, maybe more unrealistic, if you want to say that.

I had more fun in the first episode of King Gainer or Shaman King than I've ever had with "Shinji the whinner".





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"Re(1):my take on Eva" , posted Wed 23 Oct 17:01post reply


quote:
Be quite careful with that statement. I had a friend who took several Jewish Studies college courses, and the way she described Evangelion is that "If there's a level of depth you want to explore in that series, there's always at least one depth lower to go." Plotline developments, the names of several symbols, the number of Eva Units -- even the physical features of the Eva Units have some references to the Torah or Bible. And there's always one level deeper, according to her -- which is why she gets incredibly miffed when someone tries to pass it off as "another mecha-type series."

So, at least according to my friend, take several courses on the Torah or Bible, and you should understand a lot more of the imagery and symbolism that goes on in that series.
Eva is deep, that's true. Well done, and studied. I've read a lot about it.

Does that makes the characters and story more likeable? not for me. Want teology, psychology and philosophy? enjoy it. I prefer some characters with more charisma, maybe more unrealistic, if you want to say that.

I had more fun in the first episode of King Gainer or Shaman King than I've ever had with "Shinji the whinner".



I suppose if a person finds Eva deep, it is deep. I don't think it is. At least, it's never been deep to me. It began as a wonderful series, I even liked Shinji, and then the end of the series made me hate it.






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"Re(1):A little note on Evangelion's depth..." , posted Wed 23 Oct 19:37post reply


quote:
However unlike other cartoons that try to be deep (*cough* Evangelion *cough*)
[snip]


Be quite careful with that statement. I had a friend who took several Jewish Studies college courses, and the way she described Evangelion is that "If there's a level of depth you want to explore in that series, there's always at least one depth lower to go." Plotline developments, the names of several symbols, the number of Eva Units -- even the physical features of the Eva Units have some references to the Torah or Bible. And there's always one level deeper, according to her -- which is why she gets incredibly miffed when someone tries to pass it off as "another mecha-type series."

So, at least according to my friend, take several courses on the Torah or Bible, and you should understand a lot more of the imagery and symbolism that goes on in that series.



Yeah, I understand all that. I know that each of the evas has physical characteristics resembling actual demons. It's been awhile since I've studied that segment of mythology but I remember one demon having 4 eyes and whatnot. Plus the whole "people becoming one entity" thing is also rooted deep in Judeo mythos so I know they did their homework. I really have to get around to reading the Cabana... I've been putting it off. I'm not sure how a
Roman soldier was strong enough to heft that Lance of Longinus, though. People must have been bigger in those days.

I admit that I really wasn't clear on my point. I just don't want to have to have a degree in the Cabana to enjoy a tv series, although I appreciate having to work in order to fully understand what's going on beneath the surface. I think that Eva could have incorperated its depth, but not at the expense of making it enjoyable. The last bunch of episodes dramatically changed the feel of the series and felt totally out of place. At the end of Spirited Away I knew I was missing something, but that didn't detract from the fact that the movie was over and something was completed, unlike the group therapy session that ended the Eva series.





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"Re(2):A little note on Evangelion's depth..." , posted Wed 23 Oct 20:05post reply


quote:
I just don't want to have to have a degree in the Cabana to enjoy a tv series,


Did any one writer of Evangelion have a degree in that?
I only watched the first TV show, but it seemed to me that besides the actual show not having a good conclusion, the creators did not have the rest of the story done in planning either.





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"Re(2):Spirited Away - English dub" , posted Wed 23 Oct 22:43post reply


quote:
I posted here a few weeks ago about the dub, in this thread: Go see Spirited Away

To summarize, dub is very good.



Ah, sorry. I didn't notice that post before :)
Thanks! That was a good review.
But anyway, a cinema showing anime is already a rare occasion, so I'm going to watch it no matter what reviews say.
I'm just glad that from what I've read, they didn't botch up the dub job.

How did this thread mutate into an Eva discussion? ^^;;
As for Eva, the Bible & Torah references are definitely there, but I don't really think that an understanding of them really increases the enjoyment level. As Rid said, the main character is so unlikable that I find it hard to even like him or sympatise with his plight ^^
For a nice, confusing mecha anime, go watch RahXephon instead :)

Although one thing I like about Eva is that there are a lot of nice toys and gashapon (especially the K&M/Kaiyodo series) for it!





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"Re(3):Spirited Away - English dub" , posted Thu 24 Oct 04:32post reply


quote:
For a nice, confusing mecha anime, go watch RahXephon instead :)

I need to see it. Rahxephon movie coming, by the way.





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"RahXephon" , posted Thu 24 Oct 07:17post reply


That's one of the things that we're showing for the university anime club. You can find a lot of parallels to Evangelion in terms of events and organizations, but it should have enough elements to make it its own original series.





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"ba ba ba baaaaa" , posted Thu 24 Oct 14:00post reply


wingzero: ah, yes. you've got a point. symbolism doesn't necessarily make a series deep. it just gives it more meaning. since your post, i've thought for a bit. what makes something deep? character development and story, you say (which actually is a pretty good answer), but how? i think Hungrywolf is right. the depth of something varies from person to person. but a person realizes depth once they figure out that the story isn't as simplistic as they first thought. in Evangelion, for example, it's once you learn that the series isn't just mindless fighting between mechas and aliens

several of you made the point that you enjoyed Eva up to the end. i can see why

Eva Series Spoiler


Spoiler (Highlight to view) -
- we learn about the death of the first Rei. and now, Rei II, the Rei we've grown attached to the most, dies. her replacement, Rei III, is even colder and more solitary than the previous
- we learn of Asuka's past, and so does she. the 15th Angel comes and releases hell onto her mind. the end of the series doesn't explain what happened to her. she could've died in one of the final Angel battles for all we know
- Shinji cries over the death of a friend, even though by choosing death, Kaoru let him save mankind. selfish Shinji
- we all know what happened to Toji. but we don't know much else. like what i said about Asuka, he could've died in one of the final Angel battles. they don't make it clear
- they don't give us much time to grow attached to Kaoru so we probably don't feel the pain that Shinji goes through
- there's several other things that was left unclear, but the ones that bother me the most are the Eva children's classmates. like what i said about Asuka and Toji, THEY DON'T TELL US WHAT HAPPENED TO THEM COME ON!!!! >_< (hehe, it's my biggest complaint about the Eva series. could you tell?)
- and yes, the "group therapy session" at the end. i don't think any of us saw the human instrumentality project coming. it'd take up way too many episodes to do it to each character like the story planned, so they just showed us Shinji's


End of Spoiler



of course, no one really needs to know the full meanings of the symbolism used in Eva to enjoy it completely. it just gives us a little added kick when we figure out where they got some of the ideas for certain scenes
personally, Evangelion is the first anime series i've seen completely and is the only anime i own. maybe that's why i'm doing so much to argue in its case. there's other reasons as well

but anyways, as whiny and selfish as Shinji is, i still relate to him completely. i was once exactly like him (probably around the ages 8-12). every time i watch the series, i scream in my mind "don't put up with that shit, Shinji. quit running away, you little prick. come on! do something! fight back!!" but i can see exactly where he comes from. there is no other anime character out there that matches my father's personality as much as Gendou does

Hungrywolf: haha, i think Dr Baghead put it best when he said (this isn't an exact quote, but how i remembered it best) "Eva gives us characters to love, then takes them all away"





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"Re(1):ba ba ba baaaaa" , posted Thu 24 Oct 15:23post reply


quote:
wingzero: ah, yes. you've got a point. symbolism doesn't necessarily make a series deep. it just gives it more meaning. since your post, i've thought for a bit. what makes something deep? character development and story, you say (which actually is a pretty good answer), but how? i think Hungrywolf is right. the depth of something varies from person to person. but a person realizes depth once they figure out that the story isn't as simplistic as they first thought. in Evangelion, for example, it's once you learn that the series isn't just mindless fighting between mechas and aliens

several of you made the point that you enjoyed Eva up to the end. i can see why

Eva Series Spoiler


of course, no one really needs to know the full meanings of the symbolism used in Eva to enjoy it completely. it just gives us a little added kick when we figure out where they got some of the ideas for certain scenes
personally, Evangelion is the first anime series i've seen completely and is the only anime i own. maybe that's why i'm doing so much to argue in its case. there's other reasons as well

but anyways, as whiny and selfish as Shinji is, i still relate to him completely. i was once exactly like him (probably around the ages 8-12). every time i watch the series, i scream in my mind "don't put up with that shit, Shinji. quit running away, you little prick. come on! do something! fight back!!" but i can see exactly where he comes from. there is no other anime character out there that matches my father's personality as much as Gendou does

Hungrywolf: haha, i think Dr Baghead put it best when he said (this isn't an exact quote, but how i remembered it best) "Eva gives us characters to love, then takes them all away"



That quotes very true, and why I don't like Evangelion, even though it started out being cool. And it wasn't just about Mechs in the beginning, I found the characters interesting and the story, but

Spoiler (Highlight to view) -
it's just they tore them all to shreads in the end...

End of Spoiler








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"Re(2):ba ba ba baaaaa" , posted Thu 24 Oct 15:37post reply




Spoiler (Highlight to view) -
Looking it as a whole, I think that tearing the characters into shreds was the whole point of the series... Forcing Shinji to get out of the world he lived on and advance...

End of Spoiler







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"Re(3):ba ba ba baaaaa" , posted Thu 24 Oct 22:07post reply


What I don't understand is why they even bothered to make that stupid episode when too many people whined about End of Evangelion. Gainax should have just left it alone and moved on. It just shows how there are too many kids watching adult shows.





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"Re(4):ba ba ba baaaaa" , posted Sun 27 Oct 17:16post reply


we so need more eva threads here...





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"Re(4):Spirited Away - English dub" , posted Mon 28 Oct 15:17post reply


quote:
Oh there is 1 part about how teenagers these days sit too often in front of computers typing away and fail to express themselves in real life and have to use other ppl's voices or sayings to express. I wouldn't have caught that at all in a 100 times watching that...

What part of the movie was that?
Where did you hear about it?


When he first appears in the film, the character Kaonashi (literally, "No-Face") cannot speak. The best he can muster in the way of communications is a few feeble gestures and some unintelligible "muh...muh..." noises. Kaonashi is only able to speak after he eats one of the employees of the bathhouse, and the voice that comes from his mouth is that of the employee, not his own. He attempts to curry the favor of the other employees (and win the friendship of the main character) by giving them material gifts, rather than by any act of genuine kindness or compassion.

A quote from Miyazaki appears in one of the last trailers presented in the trailer collection on the Japanese Region-2 DVD release of this film: "Kaonashi is in all of us." In other words, a growing majority of modern humanity finds great difficulty communicating their emotions openly and honestly (and so instead express themselves with overused cliche and faux sentimentality), and in cultivating relationships based on something of lasting value (and so instead attempt to buy friendship with wealth or favors).

--Chris, Hoteiya Las Vegas





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"Re(5):Spirited Away - English dub" , posted Mon 28 Oct 15:34post reply


quote:
Oh there is 1 part about how teenagers these days sit too often in front of computers typing away and fail to express themselves in real life and have to use other ppl's voices or sayings to express. I wouldn't have caught that at all in a 100 times watching that...

What part of the movie was that?
Where did you hear about it?

When he first appears in the film, the character Kaonashi (literally, "No-Face") cannot speak. The best he can muster in the way of communications is a few feeble gestures and some unintelligible "muh...muh..." noises. Kaonashi is only able to speak after he eats one of the employees of the bathhouse, and the voice that comes from his mouth is that of the employee, not his own. He attempts to curry the favor of the other employees (and win the friendship of the main character) by giving them material gifts, rather than by any act of genuine kindness or compassion.

A quote from Miyazaki appears in one of the last trailers presented in the trailer collection on the Japanese Region-2 DVD release of this film: "Kaonashi is in all of us." In other words, a growing majority of modern humanity finds great difficulty communicating their emotions openly and honestly (and so instead express themselves with overused cliche and faux sentimentality), and in cultivating relationships based on something of lasting value (and so instead attempt to buy friendship with wealth or favors).

--Chris, Hoteiya Las Vegas



I figured that was a Japanese god and he wasn't about computers.





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"Re(5):Spirited Away - English dub" , posted Tue 29 Oct 09:46post reply


quote:
Oh there is 1 part about how teenagers these days sit too often in front of computers typing away and fail to express themselves in real life and have to use other ppl's voices or sayings to express. I wouldn't have caught that at all in a 100 times watching that...

What part of the movie was that?
Where did you hear about it?

When he first appears in the film, the character Kaonashi (literally, "No-Face") cannot speak. The best he can muster in the way of communications is a few feeble gestures and some unintelligible "muh...muh..." noises. Kaonashi is only able to speak after he eats one of the employees of the bathhouse, and the voice that comes from his mouth is that of the employee, not his own. He attempts to curry the favor of the other employees (and win the friendship of the main character) by giving them material gifts, rather than by any act of genuine kindness or compassion.

A quote from Miyazaki appears in one of the last trailers presented in the trailer collection on the Japanese Region-2 DVD release of this film: "Kaonashi is in all of us." In other words, a growing majority of modern humanity finds great difficulty communicating their emotions openly and honestly (and so instead express themselves with overused cliche and faux sentimentality), and in cultivating relationships based on something of lasting value (and so instead attempt to buy friendship with wealth or favors).

--Chris, Hoteiya Las Vegas



Thanks for the answer though. I think I understood that movie as much as possible without having heavy knowledge of Japan or having heard any of Miyazaki's comments for example. After I saw the movie, I read online some things Miyazaki said, which gave "looking for meaning" in the movie, have somewhere to look for it.